James Mosley, director of the respected St. Bride’s Printing Library in London, once gave this succinct summary of Miller’s quality: “Matthew Carter’s Miller is not a facsimile of Miller’s Scotch Roman any more than his Galliard was ever a facsimile of any one type by Robert Granjon. What it has done is to capture the good colour and the generous breath and modelling of its model, and to bring a valid version of Scotch Roman back into current use after a lapse of some decades.”